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位于北京某处的《人间指南》编辑部，聚集着六位性格各异知识工作者。老年知识分子里：主编老陈（吕齐 饰）对待工作兢兢业业、认真负责；牛大姐（童正维 饰）快人快语、疾恶如仇；老刘（张瞳 饰）胆小怕事，体现着传统知识分子懦弱的一面；中年知识分子余德利（侯耀华 饰）善于接受新事物 ，聪明圆滑，带着点市井江湖的习气。青年一派，李冬宝（葛优 饰）想法前卫，正直善良，总想和机敏美丽的女同事戈玲（吕丽萍 饰）处处对象，无奈戈玲心高气傲，对待貌不惊人的冬宝不冷不热，若即若离。该剧主要围绕曹家、林家第二代展开故事：玉辉与婷婷、家欣与建良、文惠与家望的情感故事起伏跌宕，期间变故出人意外,又入人意之中；金凤与翠娥为儿女的情事、生存倾尽母爱，倍受煎熬，而东生的死而复生对所有亲人无异是一个晴天霹雳…… 　　在田家的安排下，曹家望调进省城，当上了某医院的内科主任，举家搬迁到省城。玉辉得益婷婷父亲的帮助，在省城的开发区做工，金凤也随玉辉搬迁到开发区居住。 　　金凤为翠娥举办寿宴，不料横生枝节，工人肇事将玉辉、婷婷扣押…… 　　黎家生意倒闭，家境陡然跌入深渊，黎父到南方治病，玉辉受黎父之托，精心照料婷婷并相爱，而暗恋着玉辉的家欣则陷入痛苦之中不可自拔，最后下嫁张建良。 　　曹家望与田文惠婚后，依然为了翠娥的安置不断发生龃龉。先是哄骗翠娥进精神病院，后来在淑霞的怂恿下，将翠娥送到乡下树根家，树根待翠娥如同畜生，成天用狗链子将翠娥锁住…… 　　张建良知道家欣暗恋玉辉，则对家欣百般折磨虐待；玉辉得知家欣是为自己而被迫下嫁建良，内心痛苦可又无奈。 　　家望假意孝敬后母金凤，博取了“周夫子含笑道等会再演，一边请众人进屋去歇息说话。黄雨萱，记得很清楚那一天，是2011年的夏末，她升上大学二年级的第一天，那一年的她和他，都是十九岁。No, this is mobile 3G你娘都亲自帮你新衣裳绣花哩。The original title of this book is "My Years in China, 1926-1941", and some editions are also called "15 Years in China". The book was published in 1944, four years after he went to China. The book is divided into three volumes, 36 chapters and a postscript, which has been translated into about 200,000 words in Chinese. Foreign journalists have written a lot about this period of China's history, but Matsumoto's emphasis on history, Bai Xiude's emphasis on political diplomacy, and Si Nuo's and Harrison Forman's "Report from Red China" are all different from Aban's books. Aban's book takes the form of a memoir. He has information, but it is not a record. There are a large number of historical fragments, but they are not historical works. Having personal experience, but not autobiography; There are anecdotes, but they are not anecdotes. This book is about the practice of American-style news interview, but the place where it is put into use is the ancient China that is changing in the ascendant. Liberalism's news concept and American interview operation collide with China's reality everywhere. The conventional skills of Western journalists are not enough to cope with the situation in China. He must deal with and adapt. Sometimes it is cruel, sometimes it is clever, sometimes it is compromise, but it must stick to the bottom line of truth and justice. He wrote the scenes in the interview history based on the reporter's personal experience. After reading it, I saw not only the historical situation, but also how history was projected to the media. The author's knowledge is limited, and the books he dabbles in, such as Aban's book, have yet to be discovered.