The first scheme is to use the general coding method to realize the preloading technology of the picture. First, create the imgNode element, Then when the method myImage.setSrc is called, a preloaded picture is given to the picture first, and when the picture is loaded, the img element is assigned a value. The second scheme is implemented by using proxy mode. MyImage function is only responsible for creating img elements, proxy function ProxyImage is responsible for setting loading pictures for the picture, and when the picture is really loaded, myImage.setSrc method in myImage is called to set the path of the picture. The advantages and disadvantages between them are as follows:
小如在爱情和事业这两条战线上都遭遇了强劲的对手，无论怎么看，她取胜的可能性也微乎其微……
是星海那边打来的。
因为和周家之间的计源和恩情，以及两家之间密切的合作关系，徐家和周家走在了一起
但是这一次，对手换成了更加厉害的韩信，想想韩信在兵法韬略上的造诣，对心里不禁有些没底。
The original title of this book is "My Years in China, 1926-1941", and some editions are also called "15 Years in China". The book was published in 1944, four years after he went to China. The book is divided into three volumes, 36 chapters and a postscript, which has been translated into about 200,000 words in Chinese. Foreign journalists have written a lot about this period of China's history, but Matsumoto's emphasis on history, Bai Xiude's emphasis on political diplomacy, and Si Nuo's and Harrison Forman's "Report from Red China" are all different from Aban's books. Aban's book takes the form of a memoir. He has information, but it is not a record. There are a large number of historical fragments, but they are not historical works. Having personal experience, but not autobiography; There are anecdotes, but they are not anecdotes. This book is about the practice of American-style news interview, but the place where it is put into use is the ancient China that is changing in the ascendant. Liberalism's news concept and American interview operation collide with China's reality everywhere. The conventional skills of Western journalists are not enough to cope with the situation in China. He must deal with and adapt. Sometimes it is cruel, sometimes it is clever, sometimes it is compromise, but it must stick to the bottom line of truth and justice. He wrote the scenes in the interview history based on the reporter's personal experience. After reading it, I saw not only the historical situation, but also how history was projected to the media. The author's knowledge is limited, and the books he dabbles in, such as Aban's book, have yet to be discovered.
女主角明依（薛佳凝 饰）是位失明的单身母亲，带着女儿欢欢独自经营一家花店，后经过眼科医生高木（陈浩民 饰）的治疗，明依得以重见光明。为了使自己和女儿都有一个全新的开始，明依在高木的帮助下搬进了一座百年古宅，但没想到的是，母女二人也由此卷入一系列怪事之中。眼盲时留不住真爱，眼明时辨不出真心，这扇厚重的大门背后究竟藏着什么娟姨（罗兰 饰）想拼命保守的秘密？
Model skew
错误地认为他的角色是为正义服务（“没有意志，大律师的工作就是要赢”），将必须在刑事司法系统中穿行，这个系统似乎设计得尽可能不透明和混乱。在和同学们打交道的同时，他们每个人在训练结束后都在同一份工作后，都非常乐意在背后捅对方一刀。他能成功并坚持自己的原则吗？或者系统会要求另一个受害者？
陈府后院，三个家丁来回巡逻走过，可惜晚了了一步。
3. Using onConfigurationChanged method instead of onRestoreInstanceState to realize data recovery logic, the more advanced nature is the idea of performance optimization and real-time monitoring.
《亲爱的白种人》是一部反映美国“后种族歧视”时代的讽刺喜剧，故事发生在一所知名的常春藤大学，平静的表面下藏着激烈的种族矛盾，学生们既要寻找身份认同，又要培养独特个性，而这也是一个普世议题。这部讽刺剧集延续了 2014 年备受赞誉的同名电影的故事，跟随温彻斯特大学的一群黑人学生展开一幅幅关于社会不公、文化偏见、政治正确（或缺少政治正确）和被误导的激进主义的千禧年画卷。《亲爱的白种人》通过荒诞的视角，用尖锐的讽刺、幽默自嘲和略显残酷的坦诚态度反映困扰当今社会的问题，欢笑始终贯穿其中。
故事主线为布莱德利·库珀饰演的作家正处在事业高峰期，他声称一位作家丢失已久的作品是自己创作的，但一个神秘人物（杰瑞米·艾恩斯）的出现打乱了他的生活，他将要为偷窃别人创作成果而付出惨重代价。
范文轲点点头，显然已经有所预见，并不十分惊讶，沉声问道：如何救法？宋义冷哼一声，脸色稍微好转，笑道：老夫为上将军，项羽为次将，范增为末将率军出征救援巨鹿。
Q: What will you do first when taking part in the new competition?
恨不能掏心掏肺表达仰慕之情。
只好静静等待那个搅乱了朝堂的张家姑娘到来。
家里就算没事，我也不放心，要看着他们盖屋才好。
上世纪五十年代之初，党号召北京高校的师生奔赴边远的农村地区，支援那里的土改工作和新中国的建设。燕京音乐学院的女大学生林晓霞很有艺术天赋，其父是一位资深的音乐教授，对女儿寄以厚望，准备把女儿送往国外深造。但是单纯热情、向往革命的女儿却鄙视父亲的思想，坚决要去参加“支边”，还把跟她青梅竹马、有恋爱关系的青年画家陈启明也强行拉上。于是，她与父亲之间便爆发了尖锐的矛盾冲突，导致耿直的父亲蒙受了当时社会主流思想的冲击，心灵和情感都遭受重创……
