大苞谷继续他一贯的腔调，一边跟小葱李敬文打招呼，用同样的话将两人支走了。
郑老太太连连点头，对大舅奶奶道：咱们家的娃儿，数葫芦、板栗和小葱是头儿，连青山这个长辈都要听他们的。
这些都不算什么，尤其让黎水满意的是，有两个洗漱用的木盆，还有一个马桶，她们可以要些热水来，好好地擦洗一番了。
博兰顿（约翰•达尔John Dall 饰）和菲利普（法利•格兰杰 Farley Granger 饰）都是哈佛的高才生，一天，都是同性恋的两人合谋杀害了同学戴维，并藏尸于一个大箱子中。或许是出于炫耀，他们做出了一个惊人的举动。那就是用装着戴维尸体的箱子当餐桌，邀请了戴维的父母、未婚妻、同学和茹伯特教授（詹姆斯•斯图尔特 James Stewart 饰）来赴宴。他们谎称戴维外出了，和客人们在戴维的“棺材”上进行着宴会。胆小的菲利普从宴会开始就开始坐立不安，但是博兰顿却不慌不忙，在客人中滔滔不绝。然而，聪明的茹伯特教授从博兰顿的谈话中渐渐察觉出事有蹊跷……
Pusong是几十年前的一名舞姬，舞团遭遇坏人入侵，死伤无数，她通过月咒，洗澡，变年轻。但是得经常在月下泡澡，不然皮肤会开始变老。后来她来到这个舞团跳舞，好心帮助了一个叫Dab的女子，Dab脸上有疤，Pusong很可怜她，让她服侍自己，后来Dab发现了Pusong的秘密，在Pusong泡澡的时候杀了她（当然没死成）没有来得及沐浴的Pusong变老了，变成了Chub阿姨，然后Dab仿照之前看到Pusong洗澡的样子，在月下泡澡，自己变得貌美了，就来这里跳舞，改名Bunrueng。女主Prom是这个舞团的人，脸上有个胎记，有个哥哥叫Poom，然后那天被Chit杀了（但是也没死，大家都以为死了），Chit是舞团女主人的儿子，然后Bunrueng也把Prom敲晕扔到了河里，Prom随着水流飘到Chub姨那里，跟Chub姨诉说了自己遭遇的一切，然后Chub打算用月咒让Prom变美，然后二人去剧团复仇，Prom改名Prim。男主则是个督察，之前就喜欢女主，但是家里指定要她迎娶千金Samon，后来调查Pusong失踪的案子和Prom失踪的案子，邂逅了Prim，二人发生一段跨世奇缘。
老板娘转头看向那个女性工作人员，说道：你们大堂经理怎么还不来？这位阿姨，请问您需要办理什么业务？让你们大堂经理来。
江沪生和李芸接到养老院的护士茅娜报案，说养老院“闹”鬼，自己亲眼所见，二人前往检查闹“鬼”的房间，里面什么也没有。事隔一段时间，沪生忽然在半夜再次接到茅娜的电话尖叫，江沪生直奔那个闹鬼的房间，果然在钥匙里看到了上吊的白衣女人和凶手穿黑雨衣的身影，撞开门之后，却一身冷汗地发现房内依旧像上次检查一样，什么也没有，第二天，茅娜尸体躺在草地上，养老院护士纷纷辞职，老人也暴死。对养老院历史的彻底调查证明二十……
Public class Tree {
主要讲三对年轻恋人几经波折，经过了六年的风风雨雨，逐渐走向成熟，也逐渐找到了自己价值与情感的归宿的故事。他们丰富多彩的生活经历和坎坷曲折的爱情故事，充分展现了90年代都市青年在急剧变化的时代潮流的裹胁下不同的人生选择和命运，以及恋爱、婚姻、家庭方面的矛盾和变化。
“到30岁为止还是处男的话，好像能成为魔法使”——被如此煞有介事地议论着的都市传说变成了现实！！身为处男迎来30岁的安达（赤楚卫二）得到的魔法…。那是“能读懂接触到的人的心”这样朴素的东西。安达虽然有着无济于事的力量，但却意外地读懂了公司内首屈一指的帅哥、营业部王牌同期的黑泽（町田启太饰）的心。于是黑泽的心中，竟然充满了对安达的爱慕之情！没想到是同期生，而且不相信同性的好意，但是每次接触都能听到黑泽“漏着好意的心声”，安达很困惑。但是，黑泽不知道自己的好意被揭穿了，继续踏实地宣传着。到底从清爽的帅哥到闹别扭的童贞，直来直去的一心一意的想法会实现吗！
再进一步，首辅的职责就是管理好国家，如今国家乱成这个样子，怪皇上喽？岁月催人老，时势造英雄。
Open the run, enter cmd, enter:
3.? Find Gadget
在过去的四季里，豪斯指导着一只由年轻专家组成的精英团队来协助他解决疑难杂症。他的好友，肿瘤学专家詹姆斯·威尔森（Robert SeanLeonard）对他忠心耿耿。同时，医药处主任、医院的负责人丽莎·库迪（LisaEdestein）和豪斯之间也情愫暗生。虽然豪斯常常因为责任和自己异想天开的行为与她发生冲突，即使这样，她也不得不承认，豪斯的聪明足以抵消他带来的麻烦。在第四季里，固执己见的豪斯从40位申请者中挑出三个，给他的诊疗小组配上了一大帮子新人。他选中了整形医生Dr.Chris Taub（PeterJacobson），迷一样的参赛者“十三号”Dr.Rema Hadley（Olivia Wilde）和神经专家Dr.EricForeman(Omar Epps)。充满热情，思想激进的Dr.Lawrence Kutner（KalPenn）安排了他--其实他是库迪放在豪斯身边的眼线。
故事发生在英勇的骑士、美丽的公主和与巫师战斗的时代。流浪艺术家鲁斯兰梦想成为一名骑士，偶遇了美丽的公主米拉并坠入爱河，他们在城堡外度过了美妙的时光。然而，幸福并没有持续太久，邪恶的魔法师切诺莫为了达成阴谋，在鲁斯兰的眼前用魔法漩涡劫走了米拉。慌乱之后，鲁斯兰开始试图穿越魔法森林寻找公主，经过一系列奇妙生物的“助攻”后克服了重重障碍，最终战胜了邪恶魔法，与公主幸福的生活在一起。
(1) 3D Material Library: http://www.3dczk.com/
"This' knowledge 'is out of ammunition, Before, we used ordinary bullets to hit these big wasps. So the killing efficiency is not high, After hitting them with '74 jets', We found that they were very afraid of fire. So he took out all the tracer armour-piercing bombs that were pressed at the bottom of the box. These bullets have three more functions than ordinary bullets: luminous, armor piercing and burning. This kind of bullet is mainly to use the tracer function to provide target indication for friendly fire. It works best at night, Then there is the use of this kind of ammunition to collect fire and shoot at the ammunition and fuel accumulation areas of the Vietnamese army. Because they can wear armour, So it can break through some relatively hard shells, Like car doors, Oil drum skins and so on, Then blow off inflammable and explosive substances such as ammunition and gasoline, In order to destroy the enemy's military materials, Because the above assumption was that the Vietnamese army might fight with our army in positional warfare, It is the kind of positional warfare in which the two sides fight each other. That's why so many of these munitions are being distributed, But this is not the case, The Vietnamese army did not have the patience to build positions to fight our army. But directly launched the attack, The envisioned positional warfare turned into defensive warfare, That's it, In the battle before position 149, there was basically no place where the three functions I mentioned above could be used. In this way, those traced armour-piercing firebombs are basically useless. In order not to let them get in the way, they were piled up at the bottom of all the ammunition. At that time, they were taken out at the right time. We used the battle gap to replace all the ordinary bullets with traced armour-piercing firebombs to hit the second batch of big wasps. The effect was not good.
《台北歌手》（英文名：ROSEKI 1914），2018年台灣時代劇。由莫子儀、黃姵嘉、楊小黎領銜主演，於2017年開鏡，客家電視台於2018年4月2日上檔。本劇講述台灣第一才子呂赫若的故事。
In the last article, we explained Redis' master-slave cluster mode in detail. In fact, the configuration of this cluster mode is very simple. It only needs to be configured on Slave's nodes. The configuration of Master's master node does not need to be changed. However, one thing is that the persistent configuration of Master and Slave nodes should be consistent as far as possible, otherwise there will be strange problems. Starting today, we will begin to talk about the second mode of Redis cluster mode. That is, the "Sentinel" mode, which was provided from version 2.6 of Redis, but the mode of this version was unstable at that time. The Sentinel mode did not stabilize until version 2.8 of Redis. In the production environment, if you want to use the Sentinel mode of Redis, you will try to use the version after version 2.8 of Redis. Whether it is master-slave mode or sentinel mode, both modes have a problem and cannot be expanded horizontally, and the high availability of these two modes will be limited by the memory of Master master node. Another point is that the configuration of Sentinel mode is not simple or even complicated, so neither mode is recommended in industrial scenes. If you want to use it, you must have solutions to related problems to avoid subsequent problems.
