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尹旭透过大帐的窗口，正好看的清清楚楚，当日初见绿萝时正是这般景象，美人如玉依旧让他为之心动。故事发生在1915年。海莲娜是一位被遗忘的艺术家，她与年迈的母亲一起生活在乡下。距离她上一次办画展以来已经过去了很多年，海莲娜继续坚持着自己的热爱——绘画。当一个艺术品经销商发现了海莲娜和她的159幅令人惊叹的画作，并想要组织一个大型个展后，一切都会改变。但是，海莲娜一生中最重要的时刻是她与埃纳尔·路透的相遇带来的。埃纳尔是一位护林人，也是海莲娜及其艺术的狂热崇拜者。他成为了海莲娜的知己，也与她发展出了一段以悲剧告终的亲密关系。厅中落座，儿子闺女都去鼓捣刚得到的宝贝，以凤海为首，七八位沥海来投的同乡在杨长帆夫妻三人面前站成一排行礼。The four of us carried the man's body to the entrance of the cave. Zhao Mou and Wang Jiying climbed into the cave first. Fu Gang and I were holding the body below. Zhao Mou and Wang Jiying took the body's hand and pulled the body into the cave. Fu Gang and I also climbed into the cave. After we entered, we carried the body to the spacious place on the north side of the cave and put it down. Then the four of us went to the steps together to carry the woman corpse to the entrance of the cave and pulled the woman corpse into the cave in the same way. After the four of us entered, we placed the woman corpse on the outside of the man corpse. The man corpse was lying flat in the cave with its head east and feet west. The woman corpse was lying on the outside of the man corpse, facing the east and feet west of the man corpse. Wang Jiying and Zhao Mou went back to the couple's home to clean up first. Fu Gang and I stayed in the cave to find something to hide the body. We found some corn stalks in the woods in front of the cave. I went to the cave and found a pile of corn stalks. I held a bundle of corn stalks here.　　佟奉全出于怜惜与茹二奶奶成婚，不描述因冤罪而人生疯狂决定自行了断的男人和让人联想到雪女的谜一般的名流妻子之间奇妙的两人之旅，剧中也会描绘文学性、悬疑性十足的爱情故事。梅姐以为生命里的欢愉都离她远去，直到重遇前夫志远，志远因欠债拖着一条腿，梅姐肩上则扛着整个家庭，母亲失智，儿子身心失调，深夜必须用手替他解决需要。志远巧手能玩布袋戏，帮梅姐在电视台卖药，一掌定乾坤，还能空出一手托起梅姐腰肢，爱若腾云。梅姐以为家里多了栋梁骨，但生活仍持续在她背脊上加添重，女儿、母亲、情人，一重身份是花朵一重瓣，花开多艳，终究细枝难撑，风流终被雨打去。家是枷，还是甜蜜的负荷？梅姐一生能分给这么多人，但一颗心呢？女人花，花朵骨挺拔撑起残破的家枝繁叶茂，偏乡单亲家庭、长照议题、青春期身心失能者无助的性等议题都入镜，犹能含苞吐蕊，摩挲女子内心幽微光影。蝴蝶是花的魂魄，回来找自己，本片犹如台湾女子图鉴，每一幕都是自己。不能自己