(six) did not establish and keep the fire technical service files;
住在“东篱客栈”的一小段日子，李娇娇得到店内几个性格奇葩逗趣店员的帮助下，跟前未婚夫正式saygoodbye，走出情伤的阴影。李娇娇也与客栈众人结下不解之缘。
Interpreter mode: pay attention to encapsulating changes in specific fields, support frequent changes in domain problems, express problems in specific fields into sentences under certain grammatical rules, and then construct an interpreter to interpret such sentences, thus achieving the purpose of solving problems.
"I think (claim). Because (according to A), (according to B), (according to C)."
人到四十，理应不惑，可偏偏造化弄人。何家福，一个木讷、忠厚、本份的中年男人，在命运的驱动轮下怆惶而动。一笔意外之财使他陷入无法掌控的尴尬之境，从此他不断地经历着大喜与大悲，而他也在诸多的情感牵扯中渐渐迷失了方向。家，成了一个沉重和脆弱的符号……最终，在看似幸福安逸的生活中，何家福徘徊良久，还是选择了面对，选择了回归……
There are five kinds of creation modes (1-5): factory method mode, abstract factory mode, singleton mode, builder mode and prototype mode.
The original title of this book is "My Years in China, 1926-1941", and some editions are also called "15 Years in China". The book was published in 1944, four years after he went to China. The book is divided into three volumes, 36 chapters and a postscript, which has been translated into about 200,000 words in Chinese. Foreign journalists have written a lot about this period of China's history, but Matsumoto's emphasis on history, Bai Xiude's emphasis on political diplomacy, and Si Nuo's and Harrison Forman's "Report from Red China" are all different from Aban's books. Aban's book takes the form of a memoir. He has information, but it is not a record. There are a large number of historical fragments, but they are not historical works. Having personal experience, but not autobiography; There are anecdotes, but they are not anecdotes. This book is about the practice of American-style news interview, but the place where it is put into use is the ancient China that is changing in the ascendant. Liberalism's news concept and American interview operation collide with China's reality everywhere. The conventional skills of Western journalists are not enough to cope with the situation in China. He must deal with and adapt. Sometimes it is cruel, sometimes it is clever, sometimes it is compromise, but it must stick to the bottom line of truth and justice. He wrote the scenes in the interview history based on the reporter's personal experience. After reading it, I saw not only the historical situation, but also how history was projected to the media. The author's knowledge is limited, and the books he dabbles in, such as Aban's book, have yet to be discovered.
本剧以经济建设大潮中的税收工作为平台，以查处某国有企业在技术改造中暴露的偷税题为线索，集中塑造了以税务局长郑铁为代表的优秀税务干部形象，展示了他们聚财为国、执法为民的崇高思想和人格魅力。该剧跳出了传统行业片的窠臼，努力实现人物的个性化，主要角色均真实生动，血肉丰满故事情节也紧凑曲折，内涵深沉，具有较强的观赏性，同时具有强烈的时代性……
沉吟片刻回答道：占卜星象之学古已有之，应该有几分道理吧。
林朝曦还真的说不出话来了，毕竟天下没几个人面对徐文长的胡搅蛮缠还能说出话来。
剑气四散，苦苦抵挡东方不败的绣花针。
尤其是前段时间，见别人有长剑使用，而自己只能手持木棒的盗匪，那股兴奋劲就更别提了。
《奶站风波》是由曹力、郭林主演的一部电视连续剧，这部剧是由中国传媒大学电视制作中心和北京北京海晏和清影视文化有限公司联合出品的。电视连续剧共20集。
幸亏只是跟小葱置气，旁人又不知内情，才未闹大。
2, character attribute relationship ratio.
《金太狼的幸福生活》讲述北京某报社记者小米（李小璐饰演）背着母亲（宋丹丹饰演）与妇产科大夫金亮（王雷饰演）登记结婚。剧中由王雷饰演的金亮是当下“夹板男”的一个缩影。不管矛盾再多，金亮始终和爱人小米携手，一一克服遇到的困难。这一角色会让很多和他一样的“夹板男”找到共鸣。而两家人变一家人的小两口和两个老人那种貌似平静却又激流暗涌的生活，加上几位老戏骨的传神幽默的演绎，也会让观众捧腹之余，学会勇敢直面问题和矛盾。宋丹丹在剧中饰演一个“凶恶”的岳母，不仅不喜欢女婿，更和对方家人有水深火热的“矛盾”。
It's not shameful to be a female, and you have to bear such a family, everyone will only sympathize with you. The problem is, it would be unwise to be a female and offend the gold owner.
Most cases that may be tried in rural areas may be subject to "summary procedure", that is, what we call "kang trial" at this moment. The "mock trial" project prepared can enable villagers to understand the real trial procedure and the majesty of the law. For this reason, we have prepared two cases, one civil case and one criminal case.
老夫子漫画的主编王泽决定封笔，导致本来衣食无忧的漫画人物老夫子和大番薯顿时成了失业青年，两人出尽招数找工作却屡屡碰壁。
这是一部由温州人投资、以温州人创业精神为素材，根据温州民营企业创业、发展、走向光辉经历所创作的电视连续剧。 剧本故事发生在闻州市，海高集团公司是林氏家族创办一家民营企业，走上了一定旺盛繁荣之后，陷入了困境，并出现系列事故。此时，公司董事长林德荣的儿子林岐山从美国学习回来，被任命为公司总经理，他上任后排除种种阻力和困难，大胆改革，推行股份制，壮大资金力量，进行高新科技开发，拓展国外市场，使公司从家族模式走出去，扩大市场视野，从而焕发生机，步入新的辉煌。海高集团及当地的民营企业家所独有的打拼精神和不甘落后的品质，通过林家两代人恩怨，展现出林歧山与父亲林德荣新老两代人在观念上的撞击。同时着重描写了我国在加入世贸组织后所面临的国际商业竞争，阐述了遵守商业“游戏规则”的重要性。并以一个家族化企业如何克服本土化，实现真正意义上的国际化为背景，以人的亲情、友情、乡情、爱情等情感为连结，反映民企发展与创业。 拍摄这部电视剧，就是要力图以一种全新的形式，全新的角度，让世人了解民营企业发展的艰辛历程
