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　　正义的一方称作“守卫者”，由可变形成战斗机的里得王领导。邪恶的一方称作“反叛者”，由可变形为摩托的萨尔魔率领。他们为了能源大打出手，直至将战场移到地球，你来我往，展开连番恶斗……很多人会觉得，这也太夸张了，国术若是如此厉害，为什么还会没落？有这种疑问很正常。该剧以“川盐济楚”的史实为背景，通过四川“四大盐商”与清朝名臣的斗争再现了中国近代工业萌芽时期的历史。于2008年12月1日在上海东方影视频道首播。　　话说从第一部追到现在观众们，大多都已经和Focker先生一样从年-Before the action, there was a complete methodology, an understanding of the problems and difficulties encountered in learning, and a solution to break through the bottleneck.Aban's dealings with various Japanese figures are even more brilliant. The Japanese in his works, Including Japanese Foreign Minister Yoyo Matsuoka, Minister to China Shigemitsu Mamoru, Consul General to Nanjing Sumomikiro, Commander-in-Chief of the Fleet in China Yanze, Japanese Minister-at-Large Kato, Commander of the South Fleet Iwamura Kiichi, Commander of Japan's Third Fleet Lieutenant General Hasegawa, Commander of the Shanghai Dispatch Force Ishiguro Matsui and his subordinate Colonel Hashimoto Shinichiro. He is especially concerned about Ishiguro Matsui, who is the primary responsible person for the Nanjing Massacre, and many details are rare in domestic publications. It is generally believed that Matsui and his 80 officers were recalled by Japan because of excessive negative reports on Japan after the Nanjing Massacre. After reading this book, it is known that the main reason is related to the sinking of the US ship Panai by Japanese planes in the Yangtze River. The report that dragged Ishiguro Matsui off the horse was published in the New York Times by Aban and caused a sensation. Aban also depicted a bunch of inferior Japanese characters, including cunning, loyalty, stupidity, shrewdness, aggressiveness, gentleness... no longer one thousand people, exaggeration and distortion.